For this huge project the goal was to add some CG elements and matte paintings on the location of the new Panama Channel. My job was to act as a VFX supervisor, providing solutions for the director and the client on set. I was in charge of obtaining valuable information, such as camera, lenses, textures, lighting and to develope a big library with over 2000 pictures of trees and leaves so the CGI team.
ACP Panama Channel
Year of production: 2016. Running Tim:e 2:30 min
Color / Sound / Subtitled